Two knob

The Dallas Arbiter Fuzz Face was a critical piece of gear in the evolution of rock and roll. The list of users is almost endless. This is the classic Germanium version a la Hendrix that is perfectly tuned to give you that signature fuzz face sound. We have improved and modernized the circuit for more output and a wider range of fuzz control.  

• Top mount Switchcraft jacks
• Top knob controls volume, bottom knob controls fuzz
• Etched Spruce Effects logo and high quality machined aluminum knobs 
• NOS Germanium Transistors
• Standard negative-ground power
• High-quality isolated and filtered, power supply required! Must use a normal, 2.1mm Boss style 9v adapter

The Dallas Arbiter Rangemaster was a non-switchable treble booster made in the 1960s using a Germanium transistor by Dallas Arbiter in England. We have modernized it and are using high quality components for quiet and superior tone. There is an added frequency control that allows a full-range of boost options! 

• Top mount Switchcraft jacks
• Top knob controls Gain, bottom knob controls frequency (treble is CCW, bass is CW)
• Etched Spruce Effects logo and high quality machined aluminum knobs 
• NOS Germanium Transistor
• Standard negative-ground power
• High-quality isolated and filtered, power supply required! Must use a normal, 2.1mm Boss style 9v adapter

The Sola Sound MkII Tone Bender is perhaps one of the most important pedals in rock and roll history. Jimmy Page had one right before Zep 1 and Dick Taylor used one in the Pretty Things. It's a huge sounding fuzz with great headroom and sound excellent with the volume on your guitar rolled back. 

• Top mount Switchcraft jacks
• Top knob controls Level, bottom knob controls attack
• Etched Spruce Effects logo and high quality machined aluminum knobs 
• NOS Germanium Transistors
• Standard negative-ground power
• High-quality isolated and filtered, power supply required! Must use a normal, 2.1mm Boss style 9v adapter

The Guild Foxey Lady was a silicon fuzz Guild contracted Mike Matthews (before Electro Harmonix) to build around 1967. It was based off of the Mosrite Fuzzrite circuit with some improvements. It's a great sounding silicon fuzz with a little more character than the Fuzz Face and a bright, sustaining tone.  

• Top mount Switchcraft jacks
• Top knob controls Volume, bottom knob controls fuzz
• Etched Spruce Effects logo and high quality machined aluminum knobs 
• Standard negative-ground power
• High-quality isolated and filtered, power supply required! Must use a normal, 2.1mm Boss style 9v adapter

Shin-Ei was a Japanese musical instrument company that was most active in the 1960s and 70s. They developed the FY-2 companion fuzz and sold it under a variety of brand names and models. The FY-2 is a raw, nasty, gated fuzz with a lot of unique character. Some say it sounds like a buzz saw but we think it just sounds gross (in a good way). The original units had low output and we've fixed that with a transparent recovery gain stage. 

• Top mount Switchcraft jacks
• Top knob controls volume, bottom knob controls fuzz (it really just blends between two gain stages)
• Etched Spruce Effects logo and high quality machined aluminum knobs 
• Standard negative-ground power
• High-quality isolated and filtered, power supply required! Must use a normal, 2.1mm Boss style 9v adapter