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The Dallas Arbiter Fuzz Face was a critical piece of gear in the evolution of rock and roll. The list of users is almost endless. This is the classic Germanium version a la Hendrix that is perfectly tuned to give you that signature fuzz face sound. We have improved and modernized the circuit for more output and a wider range of fuzz control.
The Dallas Arbiter Rangemaster was a non-switchable treble booster made in the 1960s using a Germanium transistor by Dallas Arbiter in England. We have modernized it and are using high quality components for quiet and superior tone. There is an added frequency control that allows a full-range of boost options!
The Sola Sound MkII Tone Bender is perhaps one of the most important pedals in rock and roll history. Jimmy Page had one right before Zep 1 and Dick Taylor used one in the Pretty Things. It's a huge sounding fuzz with great headroom and sound excellent with the volume on your guitar rolled back.
The Guild Foxey Lady was a silicon fuzz Guild contracted Mike Matthews (before Electro Harmonix) to build around 1967. It was based off of the Mosrite Fuzzrite circuit with some improvements. It's a great sounding silicon fuzz with a little more character than the Fuzz Face and a bright, sustaining tone.
Shin-Ei was a Japanese musical instrument company that was most active in the 1960s and 70s. They developed the FY-2 companion fuzz and sold it under a variety of brand names and models. The FY-2 is a raw, nasty, gated fuzz with a lot of unique character. Some say it sounds like a buzz saw but we think it just sounds gross (in a good way). The original units had low output and we've fixed that with a transparent recovery gain stage.